2018: Vol. 40, Num. 2

DOI: https://doi.org/10.28914/Atlantis-2018.40.2

Published: 2018-12-20

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Articles

From Africa to America: Precarious Belongings in NoViolet Bulawayo’s We Need New Names

Rocío Cobo-Piñero

11-25
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Appropriated Bodies: Trauma, Biopower and the Posthuman in Octavia Butler’s “Bloodchild” and James Tiptree, Jr.’s “The Girl Who Was Plugged In”

María Ferrández San Miguel

27-44
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Nostalgia and the Sublime in Cormac McCarthy’s The Border Trilogy

Mahshid Younesi, Hossein Pirnajmuddin

45-62
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“Partly American!”: Sarah Bernhardt’s Transnational Disability in the American Press (1915-1918)

Ignacio Ramos-Gay

63-80
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Writing the Self: Philip Freneau’s Homeostatic Poetic Production

Álvaro Albarrán Gutiérrez

81-100
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Filming Metatheatre in Gregory Doran’s Macbeth: Refracting Theatrical Crises at the Turn of the Century

Víctor Huertas Martín

101-121
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The Alien as a Vehicle for Cosmopolitan Discourses: The Case of The Day the Earth Stood Still

Pablo Gómez Muñoz

123-144
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Love on the Margins: The American Indie Rom-com of the 2010s

Beatriz Oria

145-167
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Evaluation of “Status” as a Persuasive Tool in Spanish and American Pre-electoral Debates in Times of Crisis

Mercedes Diez-Prados, Ana Belén Cabrejas-Peñuelas

169-195
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EFL Grapho-Phonemics: The “Teachability” of Stressed Vowel Pronunciation Rules

Enrique Cámara-Arenas

197-218
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Book review articles

Alliterative Metre and Medieval English Literary History

Rafael J. Pascual

221-230
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