2024: Vol. 46, Num. 1

Articles

• Foreword from the editors

  Jesús Manuel Nieto García, Beatriz Valverde Jiménez

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• The Playhouse Effect: John Webster, Deixis and Story-Telling in the Theatres of Jacobean London

  David J. Amelang

  1-16

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• Unmarried Mothers on the English Stage after the Godly Revolution

  Clara Sánchez Trigo

  17-34

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• Hester’s Private Religion of the Heart: Theocracy and Secularism in The Scarlet Letter (1851)

  Ali Hassanpour Darbandi, Maryam Soltan Beyad

  35-52

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• Dialectical Sentences and Social Contradictions in Nathaniel Hawthorne’s The House of the Seven Gables

  Cyrus Amiri, Mahdiyeh Govah

  53-70

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• Uncaged Angels: Ecofeminist Literary Ornithology as Citizen Science in the Nineteenth Century

  Clara Contreras Ameduri

  71-88

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• The Opera that Never was: Dylan Thomas and Igor Stravinsky’s Projected Collaboration

  Lucía Bennett-Ortega, Marta Falces-Sierra

  89-113

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• Noise and the Other in Rumaan Alam’s Leave the World Behind

  Ana Maria Manzanas Calvo

  115-130

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• Abandoning the Quest? High/Epic Fantasy and the Challenges of the Anthropocene

  Weronika Łaszkiewicz

  131-148

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• “... but be sure you let it settle”: Late Modern Authors’ Presence in English Scientific Texts

  Begoña Crespo, Isabel Moskowich

  149-169

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• The Conceptual Metaphor PARENTS ARE ANIMALS: On Linguistic Terms Used Figuratively for Types of Parenting

  Agnieszka Grząśko, Robert Kiełtyka

  171-194

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• Language Impairment in English-Speaking Patients with Alzheimer’s Disease: A Role and Reference Grammar Contribution

  Alejandro Suárez Rodríguez

  195-220

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• Navigating the Audience: Trump’s Persona Management Processes Across Political Contexts

  Belén Zapata-Barrero

  221-242

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• Constructional Emergence in A1–C1: A Bird’s Eye Perspective and Alignment

  Tan Arda Gedik

  243-264

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