(Re)Imagining and (Re)Visiting Homelands in Looking for Transwonderland: Travels in Nigeria by Noo Saro-Wiwa
Abstract
Through the analysis of Noo Saro-Wiwa’s Looking for Transwonderland: Travels in Nigeria (2012), this paper will explore the ambivalent perception towards modernity in present-day Nigeria which affects Saro-Wiwa as a diasporic traveler-writer visiting her motherland. It will be argued that the author’s position as an insider/outsider leads to a reformulation of Paul Gilroy’s roots/routes dichotomy which ultimately affects her reconstruction of Nigeria as her Imaginary Homeland. Starting from an analysis of her liminal position as a prodigal-foreigner, this paper will consider what is perceived as the essence of Nigeria, and how Saro-Wiwa inscribes the country within the mutually exclusive dichotomy modernity/authenticity. The contradictions of such a binary division will be related to Saro-Wiwa’s rejection of modernity, and her desire to preserve Nigeria’s traditions. The approach taken aims to underline to what extent her inclination towards the preservation of cultural heritage over modernization can be associated with her diasporic need to have an Imaginary Homeland that represents a nurturing heritage source.
Keywords: Nigerian diaspora; travel writing; modernization; Imaginary Homelands; roots/routes
Downloads
References
Africa Book Club. 2013. “Noo Saro-Wiwa Talks About Reconnecting with Her
Home Country and Being Real.” [Accessed online on October 16, 2016].
Akinwolere, Andy, Justin Edwards and Noo Saro-Wiwa. 2014. “Broadening the
Gaze: African & Diaspora Travel Writing in the 21st Century.” Panel presented at the Royal African Society’s annual African literature and book festival at the British Library, London, July 2014.
Andrew, David, Tim Bewer, Jean-Bernard Carillet, Anthony Ham, Vesna Maric,
Gemma Pitcher, Nick Ray, Brendan Sainsbury, Jenny Walker and Vanessa Wruble. 2007. “Nigeria.” In Lonely Planet Africa, 453-472. Oakland, CA: Lonely Planet.
Birrell, Ian. 2012. “Looking for Transwonderland: Travels in Nigeria by Noo Saro-Wiwa.” Review of Looking for Transwonderland: Travels in Nigeria, by Noo Saro-Wiwa. The Guardian, January 29. [Accessed online on October 17, 2016].
Bures, Frank. 2012. “A very Particular Place.” Review of Looking for Transwonderland: Travels in Nigeria, by Noo Saro-Wiwa. The New Republic, August 22. [Accessed online on October 17, 2016].
Clarke, Robert, Jacqueline Dutton and Anna Johnston. 2014. “Shadow Zones: Dark Travel and Postcolonial Cultures.” Postcolonial Studies 17 (3): 221-235.
Cohen, Robin. (1997) 2001. Global Diasporas. An Introduction. London and New York: Routledge.
Dunn, Kevin C. 2007. “Fear of a Black Planet: Anarchy Anxieties and Postcolonial Travel to Africa.” Third World Quarterly 25 (3): 482-499.
Edwards, Justin D. and Rune Graulund. 2011. “Introduction: Reading Postcolonial Travel Writing.” In Postcolonial Travel Writing: Criticial Explorations, edited by Justin D. Edwards and Rune Graulund, 1-16. Basingstoke, Hampshire: Palgrave Macmillan.
Eze, Chielozona. 2014. “Rethinking African Culture and Identity: The Afropolitan Model.” Journal of African Cultural Studies 26 (2): 234-247.
Falola, Toyin and Matthew M. Heaton. 2008. A History of Nigeria. New York: Cambridge UP.
Foley, Malcom and John Lennon. (2000) 2006. Dark Tourism: The Attraction of Death and Disaster. Padstow: Thomson.
Gikandi, Simon. 2011. “Foreword.” In Negotiating Afropolitanism Essays on Borders and Spaces in Contemporary African Literature and Folklore, edited by J. K. S. Makokha and Jennifer Wawrzinek, 9-11. Amsterdam: Rodopi.
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. London and New York: Verso.
Graulund, Rune. 2011. “Travelling Home: Global Travel and the Postcolonial in the Travel Writing of Pico Iyer.” In Postcolonial Travel Writing: Critical Explorations, edited by Justin D. Edwards and Rune Graulund, 54-71. Basingstoke, Hampshire: Palgrave Macmillan.
Holland, Patrick and Graham Huggan. (2000) 2003. Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing. Ann Arbor, MI: The U of Michigan P.
Ifekwunigwe, Jayne O. (2003) 2004. “Scattered Belongings: Reconfiguring the
‘African’ in the English-African Diaspora.” In New African Diasporas, edited by Khalid Koser, 56-70. London and New York. Routledge.
Kehinde, Ayo. 2007. “Narrating the African City from the Diaspora: Lagos as a Trope in Ben Okri and Chika Unigwe’s Short Stories.” African Identities 5 (2): 231-246.
Knowles, Sam. 2014. Travel Writing and the Transnational Author. Basingstoke, Hampshire: Palgrave Macmillan.
Korte, Barbara. (1996) 2000. English Travel Writing from Pilgrimages to Postcolonial Explorations. Translated by Catherine Matthias. New York: St. Martin’s Press.
Leed, Eric J. 1991. The Mind of the Traveler: From Gilgamesh to Global Tourism. New York: Basic Books.
Mbembe, Achille. 2007. “Afropolitanism.” Translated by Laurent Chauvet. In Africa Remix: Contemporary Art of a Continent, edited by Simon Njami and Lucy Duran, 26-30. Johannesburg: Jacana Media.
McLeod, John. (2010) 2012. Beginning Postcolonialism. Manchester: Manchester UP.
Oyo State Government. 2016. “Our History: Records, Landmarks and Firsts." [Accessed online on October 17, 2016].
Public Radio International. 2012. “Author Noo Saro-Wiwa’s Personal Journey Writing Looking for Transwonderland.” [Accessed online on October 17, 2016].
Pratt, M. Louise. (1992) 2008. Imperial Eyes: Travel Writing and Transculturation. New York: Routledge.
Rushdie, Salman. 1991. Imaginary Homelands. London: Granta.
Said, Edward W. (1978) 2003. Orientalism. London: Penguin.
Saro-Wiwa, Noo. (2012) 2013. Looking for Transwonderland: Travels in Nigeria. London: Granta.
Selasi, Taiye. 2013. “Bye-Bye Barbar.” Callaloo 36 (3): 528-530.
This Is Africa. 2015. “We Need New Stories.” [Accessed online on October 17,
.
Downloads
Published
How to Cite
Issue
Section
License
The authors retain copyright of articles. They authorise AEDEAN to publish them in its journal Atlantis and to include them in the indexing and abstracting services, academic databases and repositories the journal participates in.
Under the terms of the Creative Commons Attribution NonCommercial ShareAlike 4.0 International Licence (CC BY-NC-SA 4.0), for non-commercial (i.e., personal or academic) purposes only, users are free to share (i.e., copy and redistribute in any medium or format) and adapt (i.e., remix, transform and build upon) articles published in Atlantis, free of charge and without obtaining prior permission from the publisher or the author(s), as long as they give appropriate credit to the author, the journal (Atlantis) and the publisher (AEDEAN), provide the relevant URL link to the original publication and indicate if changes were made. Such attribution may be done in any reasonable manner, but not in any way that suggests the journal endorses the user or their use of the material published therein. Users who adapt (i.e., remix, transform or build upon the material) must distribute their contributions under the same licence as the original.
Self-archiving is also permitted, so that authors are allowed to deposit the published PDF version of their articles in academic and/or institutional repositories, without fee or embargo. Authors may also post their individual articles on their personal websites, again on condition that the original link to the online edition is provided.
Authors are expected to know and heed basic ground rules that preclude simultaneous submission and/or duplicate publication. Prospective contributors to Atlantis commit themselves to the following when they submit a manuscript:
- That no concurrent consideration of the same, or almost identical, work by any other journal and/or publisher is taking place.
- That the potential contribution has not appeared previously, in any form whatsoever, in another journal, electronic format or as a chapter/section of a book.
Seeking permission for the use of copyright material is the responsibility of the author.