Elena Oliete-Aldea, Beatriz Oria and Juan A. Tarancón, eds. 2016. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema
Abstract
Book reviewDownloads
References
Benet, Vicente J. 2015. “Spanish Archetypes in Transnational Cinema: A Comparative Study of Iconography.” Journal of Spanish Cultural Studies 16 (1): 9-27.
Berger, Verena. 2016. “Going Home: Mobility and Return Journeys in French and Spanish Road Movies.” Transnational Cinemas 7 (2): 168-182.
Cerdán, Josetxo and Miguel Fernández Labayen. 2015. “Mediating Migration in Ceuta, Melilla and Barcelona: Border Thinking and Transnationalism from Below in Independent Documentary.” Transnational Cinemas 6 (2): 137-155.
Craig, Linda. 2010. “From National to Transnational in Pedro Almodóvar’s All About My Mother.” Transnational Cinemas 1 (2): 161-174.
Dapena, Gerard, Marvin D’Lugo and Alberto Elena. 2013. “Transnational Frameworks.” In A Companion to Spanish Cinema, edited by Jo Labanyi and Tatjana Pavlović, 30-40. Oxford: Wiley Blackwell.
Dennison, Stephanie, ed. 2013. Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film. Woodbridge: Tamesis.
Falicov, Tamara L. 2013. “Cine en Construcción/Films in Progress: How Spanish and Latin American Filmmakers Negotiate the Construction of a Globalized Arthouse Aesthetic.” Transnational Cinemas 4 (2): 252-271.
Ibáñez, Juan Carlos. 2013. “Another Vision: Memories of the Civil War in Coproductions of Recent (Spanish?) Cinema.” In Transnational Cinema in Europe, edited by Manuel Palacio and Jörg Türschmann, 93-104. Zurich: Lit Verlag.
Jorza, Diana Roxana. 2011. “A Neorealist Melodrama’s Problematic Contention with Hollywood: Calle Mayor (1956).” Studies in Hispanic Cinemas 7 (2): 117-132.
Labanyi, Jo. 2002. “Historia y mujer en el cine del primer franquismo.” Secuencias 15: 42-59.
Downloads
Published
How to Cite
Issue
Section
License
The authors retain copyright of articles. They authorise AEDEAN to publish them in its journal Atlantis and to include them in the indexing and abstracting services, academic databases and repositories the journal participates in.
Under the terms of the Creative Commons Attribution NonCommercial ShareAlike 4.0 International Licence (CC BY-NC-SA 4.0), for non-commercial (i.e., personal or academic) purposes only, users are free to share (i.e., copy and redistribute in any medium or format) and adapt (i.e., remix, transform and build upon) articles published in Atlantis, free of charge and without obtaining prior permission from the publisher or the author(s), as long as they give appropriate credit to the author, the journal (Atlantis) and the publisher (AEDEAN), provide the relevant URL link to the original publication and indicate if changes were made. Such attribution may be done in any reasonable manner, but not in any way that suggests the journal endorses the user or their use of the material published therein. Users who adapt (i.e., remix, transform or build upon the material) must distribute their contributions under the same licence as the original.
Self-archiving is also permitted, so that authors are allowed to deposit the published PDF version of their articles in academic and/or institutional repositories, without fee or embargo. Authors may also post their individual articles on their personal websites, again on condition that the original link to the online edition is provided.
Authors are expected to know and heed basic ground rules that preclude simultaneous submission and/or duplicate publication. Prospective contributors to Atlantis commit themselves to the following when they submit a manuscript:
- That no concurrent consideration of the same, or almost identical, work by any other journal and/or publisher is taking place.
- That the potential contribution has not appeared previously, in any form whatsoever, in another journal, electronic format or as a chapter/section of a book.
Seeking permission for the use of copyright material is the responsibility of the author.
